thicket

thicket oil on linen 63" x 67"

blackoval/12set

blackoval/12set each 15" x 11.5" oil on linen over panel

scaffoldevent

scaffoldevent 12' x 22' acrylic on wall 

televersion

televersion  52" x 39" oil on linen

ruleofthumb

ruleofthumb 27" x 18" oil on jute

turncoat

turncoat 45" x 40" oil on jute

ringaround

oil on jute over panel

backchannels

backchannels 48" x 37" oil on jute

fortunefolds

fortunefolds 43.5" x 37.5" oil on jute

innerverse

innerverse 44" x 44" oil on jute

insideoutsidevoice

insideoutsidevoice 21.5" x 16.5" oil on jute

10" x 8" oil on board

tangledgarden

tangledgarden 52" x 37" oil on linen

stitchedcavern

stitchedcavern 52" x 37" oil on linen

littlemisunderstandings

 littlemisunderstandings 18" x 23" oil on jute over panel

girlwiththecurl 10" x 8" oil on cardboard on panel

mirroring 21.5" x 16.5" oil on linen

viewingroom

viewingroom 19" x 13" oil on linen

thesynergistic

thesynergistic 43.5" x 29" oil on linen

stopdotsecho

stopdotsecho 22" x 5" oil on cardboard mounted to panel

ovalorange

ovalorange 20" x 16" oil on jute over panel

ovalslur 20" x 16" oil on jute over panel

forms of abstraction

 

Installation at Irvine Fine Arts Center of 17 paintings and 20 unweaves sculptures

tickingtime

SOS 29" x 26" oil on printed textile

tickingtime 13" x 16" oil on ticking

castofcharacters 18" x 15" oil on linen

shapeshift 52" x 42" oil on linen

infiniticampfire

hereandtogetherness 27" x 31" oil on linen

ichabod 27" x 31" oil on linen

infiniticampfire 29" x 18" oil on linen

apartmenthut

 apartmenthut 27" x 25" oil on linen

 bendinglight 28" x 25" oil on linen

 chexmix 27" x 23" oil on linen

 coaster 24" x 15" oil on linen

 colourmein 29" x 29" oil on textile

envelopeme 23" x 22" oil on denim

Haiku Review by Peter Frank in the Huffington Post

Joshua Aster follows a very simple formula, one that allows – indeed, requires – him to enliven his paintings with some sort of mojo that makes them dance off the wall. Aster repeats a particular unit myriad times within a small space (nothing in this show exceeded two feet), organizing the repeated forms into a dense and rather irregular skein, less a pattern than an accumulation. He renders these dense, obsessive fields with breathtaking luminosity, thinning his oils halfway to gouache and allowing them a certain – but not total – degree of saturation. The compactness of the paintings themselves, the engaging eccentricity of the schemata, the colors’ restrained vividness, add up exponentially, resulting in paintings with a gemlike intensity and the tang of hard candy; they fairly explode in your eye. (Sam Lee, 990 N. Hill St., LA; closed. www.samleegallery.com)

– Peter Frank

http://www.huffingtonpost.com/2012/11/02/haiku-reviews-freud-rigol_n_2065397.html#slide=1714161

unweaves

This series of feather-weight sculptures are made from disassembled basket parts.  The sculptures and their shadows are used as stencils to create compositions on linen.  Oil paint is aggressively and directly applied with color allusions to night, mirrors and time elapsing.  Flatness and space are pulling at each other. 

LA Times Review and James Kalm Report

Review: Alluring 'Little Conversations' with Joshua Aster at Sam Lee

Joshua Aster, "Spin Cycle," 2012, oil on linen, 19 x 18 inches. (Sam Lee Gallery, Los Angeles)

By Holly Myers

September 25, 2012, 3:12 p.m.

Viewed as an ever-expanding aggregate, Joshua Aster’s paintings have the feel of so many pictorial petri dishes, in which constituent elements of painting’s DNA — color, tone, shape, pattern, texture — are  assembled in varying combinations and ratios and left to reproduce of their own accord. The result is a nuanced, playful abstraction that grows ever more complex as its genes continue to splinter and stew.
In “Little Conversations,” Aster’s first exhibition with Sam Lee Gallery, he seems to have taken a step or two back. He’s shifted from acrylic and watercolor to oils, reduced his canvases to a modest, domestic scale not exceeding 24 inches, and introduced a range of new shapes, made by tracing the outlines of common objects found around the studio. Where many of the earlier works appeared layered and translucent, these are flat and opaque, heavier of step.
A similar air of curiosity prevails, however. They’re simpler paintings, but paintings that shimmer with the promise of a new acquaintance — appealing “little conversations,” in other words, that leave one eager to see where Aster goes from here.
Sam Lee Gallery, 990 N. Hill St., #190, Los Angeles, (323) 788-3535, through Oct. 6. Closed Sunday through Tuesday. www.samleegallery.com

Honored to be on the James Kalm Report

sighting

 

imminentreturn 17" x 16" oil on linen

 

overunder 16" x 12" oil on linen

 

patchoverlap 24" x 17" oil on linen

 

sighting 15" x 18" oil on linen

little conversations at Sam Lee Gallery

 

FOR IMMEDIATE RELEASE

Joshua Aster

little conversations

...

September 5 – October 6, 2012

Reception for the Artists: Saturday, September 15, 6 – 8 pm

Los Angeles—Sam Lee Gallery is pleased to present little conversations, a solo exhibition of abstract paintings by Los Angeles-based artist Joshua Aster. The artist’s recent oil paintings function as a type of sieve in which color, line, and patterns are distilled to their essence on the canvas. Nine works, measuring no more than 24x24 inches each, are intimate in scale and elemental in their emphasis on straightforward mark making. Aster employs ordinary objects such as wood off-cuts, erector set parts, broken plates, and picture frames found in his studio and intuitively arranges them on the canvas. He then traces their outlines and finishes the work by coloring in between the lines with oil paint, thus creating a familiar yet fresh pattern that resembles a brightly colored jigsaw puzzle: a confident display of color, line, and shape.

Born 1976 in New York, Joshua Aster received a master of fine art degree from University of California Los Angeles (2007) and a bachelor of fine art degree from Skidmore College in New York (1998). He has been featured in exhibitions throughout the United States: solo shows at Carl Berg Gallery in Los Angeles, Karl Hutter Fine Art in Beverly Hills, and Utah Museum of Contemporary Art in Salt Lake City (Utah). His work has also been included in various group exhibitions at Roberts & Tilton, Daniel Weinberg Gallery, Michael Kohn Gallery, PØST Gallery, Annie Wharton Fine Art, Taylor de Cordoba, and Pepin Moore in Los Angeles, Angstrom Gallery in Dallas, and Plane Space in New York. Aster is a founding member of the artist collective OJO, which has had solo projects at MOCA, Los Angeles and LA>

Digital images are available for press purposes. Please email sam@samleegallery.com for reproduction requests.

Sam Lee Gallery

990 North Hill Street #190

Los Angeles, CA 90012

Mobile 323-788-3535

sam@samleegallery.com

www.samleegallery.com

Gallery Hours: Wednesday - Saturday, 12 to 6 pm and by appointment

dataprocessing

dataprocessing 23" x 23" oil on linen

The HOLODECK, PØST, Thursday, July 26th, 7-9PM

organized by Brad Eberhard

The Holodeck is a simulated reality facility on the USS Enterprise NCC-1701-D, the primary setting of the American science-fiction television series Star Trek the Next Generation. The characters on the show use the Holodeck for a variety of applications, including recreation, training, and problem solving. Although crew members can program in the environment or scenario they wish to inhabit, they cannot necessarily control their experience once inside. Things go wrong with it pretty regularly. People get stuck inside and can’t get out. Like art, the Holodeck is an ideal world in which refreshment and conflict go hand in hand.

The HOLODECK is a group show whose participants were each given a card from a deck of Star Trek the Next Generation playing cards as a prompt for an artwork. Each person was presented with the option to select a card with a specific character/theme or to receive a card randomly from the deck. The breakdown was about 50/50, specific vs. random. They could use the their card as a source, an object, or the starting point for any manner of conceptual strategy that suited them. The show will include a variety of 2, 3, and 4 dimensional media.

bagotrix, beadedcandlecurtain, redhead

bagotrix 19" x 19" oil on canvas

 

beadedcandlecurtain 18" x 17" oil on linen

 

redhead 54" x 72" oil on canvas